Giovanni Boccaccio writes of the Minotaur in his literary commentary of the Commedia: "When he had grown up and become a most ferocious animal, and of incredible strength, they tell that Minos had him shut up in a prison called the labyrinth, and that he had sent to him there all those whom he wanted to die a cruel death".  Dante Gabriel Rossetti , in his own commentary,   compares the Minotaur with all three sins of violence within the seventh circle: "The Minotaur, who is situated at the rim of the tripartite circle, fed, according to the poem was biting himself (violence against oneself) and was conceived in the 'false cow' (violence against nature, daughter of God)."
Murray resisted the second demand: that if he could not meet schedule, he must hire a second, senior editor to work in parallel to him, outside his supervision, on words from elsewhere in the alphabet. Murray did not want to share the work, feeling that he would accelerate his work pace with experience. That turned out not to be so, and Philip Gell of the OUP forced the promotion of Murray's assistant Henry Bradley (hired by Murray in 1884), who worked independently in the British Museum in London beginning in 1888. In 1896, Bradley moved to Oxford University.